Internet Music Distribution ÀÎÅÍ³Ý À½¾Ç À¯Åë

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Music Mp3 Online distribution À½¾ÇÀº MP3ÀÇ ¿Â¶óÀÎ ¹èÆ÷

Online distribution has affected the media music industry in many ways. ¿Â¶óÀÎ À¯Åë ¿©·¯ °¡Áö ¹Ìµð¾î¸¦ À½¾Ç ¾÷°èÀÇ ¿µÇâÀÌÀÖ´Ù. Firstly there have been three big file sharing (downloads) concepts that have affected the industry. ù°´Â ÀÌ¹Ì ¼¼ °³ÀÇ Å« ÆÄÀÏÀº ¾÷°è¿¡ ¹ÌÄ¡´Â ¿µÇâ (´Ù¿î·Îµå) °³³äÀ» °øÀ¯Çß½À´Ï´Ù. Newsgroups which have been used to facilitate rapid deployment of all forms of media jazz, hiphop or any music genre. ¾î´À ÀçÁî, ÈüÇÕÀ̳ª À½¾Ç À帣 ¹Ìµð¾îÀÇ ¸ðµç ÇüÅÂÀÇ ºü¸¥ Àü°³¸¦ ÃËÁøÇÏ´Â µ¥ »ç¿ëµÇ¾úÀ» ´º½º. Bit torrents this is basically a file sharing protocol which involves simply sharing one music file at the time. À̰ÍÀº ±âº»ÀûÀ¸·Î ÆÄÀÏÀº ´Ü¼øÈ÷ Çѹø¿¡ ÇϳªÀÇ À½¾Ç ÆÄÀÏ °øÀ¯¸¦ Æ÷ÇÔ ºñÆ® Åä ·±Æ® ÇÁ·ÎÅäÄÝÀ» °øÀ¯ÇϰíÀÖ½À´Ï´Ù. This also has been used for fast file sharing, but with slightly less immediacy. ÀÌ ¶ÇÇÑ °í¼Ó ÆÄÀÏ °øÀ¯¸¦ À§ÇØ »ç¿ëµÇ¾î ¿ÔÁö¸¸ ¾à°£Àº ´ú Á÷Á¢. Lastly and probably the largest method of file sharing, has been the edonkey network, this network is less dynamic and facilitates rarer music production filesbeing shared as well as ringtones. ÆÄÀÏ °øÀ¯ÀÇ e µ¿Å° ³×Æ®¿öÅ©¿Ô´Ù ¸¶Áö¸·À¸·Î ±×¸®°í ¾Æ¸¶µµ °¡Àå Å« ¹æ¹ýÀÌ ³×Æ®¿öÅ©¸¦ ´ú »ý»ê»Ó¸¸ ¾Æ´Ï¶ó µ¿ÀûÀ̸ç Èñ±Í À½¾Ç º§¼Ò¸®¸¦ °øÀ¯ filesbeingÀ» ¿ëÀÌÇϰÔÇÕ´Ï´Ù. The donkey as it is it affectionately known is the mainstation for all forms of media and music interchange of an illegal nature. ´ç³ª±Í·Î ¾Ë·ÁÁ®ÀÖ´Ù ±×°Í »ç¶û½º·´°Ô ¹Ìµð¾î ¹× ºÒ¹ý ÀÚ¿¬ÀÇ À½¾Ç ±³·ù¿¡ ´ëÇÑ ¸ðµç ÇüÅÂÀÇ mainstationÀÔ´Ï´Ù.

Newsgroups and bit torrents have had heavy effects on visual media (music videos) forms. ´º½º¿Í ¿µ»ó ¹Ìµð¾î ºñÆ® Åä ·±Æ® (¹ÂÁ÷ ºñµð¿À) ÇüÅ¿¡ ´ëÇÑ ¹«°Å¿î È¿°úÇß´Ù. Hollywood and quality television programmes have been exchanged heavily through these concepts. Çæ¸®¿ìµå¿Í ǰÁúÀÇ TV ÇÁ·Î±×·¥Àº ÀÌ·¯ÇÑ °³³äÀ» ÅëÇØ ±³È¯ ½ÉÇϰԿԴÙ. The MPAA believe that this ultimately affects profitability of companies. MPAA´Â ±×°ÍÀÌ ±Ã±ØÀûÀ¸·Î ±â¾÷ÀÇ ¼öÀͼº¿¡ ¿µÇâÀ» ¹Ï½À´Ï´Ù. In real terms it has shown that there is an extra music demographic of the Internet user. ½ÇÁ¦ Á¶°Ç¿¡¼­´Â ±×°Í¿¡´Â ¿©ºÐÀÇ À½¾ÇÀº ÀÎÅÍ³Ý »ç¿ëÀÚÀÇ Àα¸°¡ º¸À̰íÀÖ´Ù. This demographic could possibly be further subdivided. Àα¸ °¡´É¼ºÀÌ ´õ¿í ¼¼ºÐÈ­ µÉ ¼öÀÖ´Ù. Television ratings have not mimicked Internet ratings of television programmes. ÅÚ·¹ºñÀü ½Ãû·üÀÌ TV ÇÁ·Î±×·¥ÀÇ ÀÎÅÍ³Ý µî±ÞÀ» Èä³» ³»¾ú´ÙÇÏÁö ¾Ê¾Ò½À´Ï´Ù. Hollywood movies on the other hand have done. ¹Ý¸é¿¡ ÇÒ¸®¿ìµå ¿µÈ­ ÀÏÀ»ÇÏÁö ¾Ê¾Ò½À´Ï´Ù.

Music distribution on the internet ÀÎÅͳݿ¡¼­ À½¾Ç À¯Åë

Music Videos ¹ÂÁ÷ ºñµð¿À

The need for compression is driven by people's desire to get visual imagery. ¾ÐÃà¿¡ ´ëÇÑ ½Ã°¢Àû À̹ÌÁö¸¦ ¾òÀ» ÇÊ¿ä·ÎÇÏ´Â »ç¶÷ÀÇ ¿å¸Á¿¡ ÀÇÇØ ±¸µ¿µÈ´Ù. Media technology has had to adjust for that. ¹Ìµð¾î ±â¼ú¿¡ ´ëÇÑ Á¶Á¤Çß´Ù. Due to the improvement of compression technology this has led to the possibility of audio/visual imagery been paired more closely. ´õ ¹ÐÁ¢ÇÏ°Ô °áÇÕÀÌ ¿Àµð¿ÀÀÇ °¡´É¼º / ½Ã°¢Àû À̹ÌÁö¸¦ ÁÖµµÇϰíÀÖ´Ù ¾ÐÃà ±â¼úÀÇ °³¼±À¸·Î ÀÎÇØ. Now not only do people purchase music, they purchase music video also. Áö±ÝÀº ¿ÀÁ÷ ±×µéÀÌ ±¸¸ÅÀÇ ¹ÂÁ÷ ºñµð¿Àµµ À½¾ÇÀ» ÇÒ »ç¶÷ÀÌ ±¸¸ÅÇÏÁö.

Music compression À½¾Ç ¾ÐÃà

Music has been compressed into forms such as MP3s. MP3 µî À½¾Ç°ú °°Àº ÇüÅ·Π¾ÐÃàµÆ´Ù. The immediate nature of the consumer, has led to recording media technology to cater for more forms of media input. ¼ÒºñÀÚÀÇ Áï°¢ÀûÀÎ ¼º°Ý, ·¹ÄÚµù ¹Ìµð¾î ±â¼úÀ» À§ÇØ ¾çÀÌ¾ß ¹Ìµð¾î ÀÔ·ÂÀÇ ¸¹Àº ÇüÅ·ΠÀ̾îÁö°íÀÖ´Ù. Media devices have dynamic storage, static storage and an Internet connection. ÀÌ ¿ªµ¿ÀûÀÎ ½ºÅ丮Áö ¹Ìµð¾î µð¹ÙÀ̽º, Á¤Àû ½ºÅ丮Áö ¹× ÀÎÅÍ³Ý ¿¬°áÇÕ´Ï´Ù. Media Music technology has to contain software to cater for possible needs. ¹Ìµð¾î À½¾Ç ±â¼úÀ» À§ÇØ ¾çÀÌ¾ß °¡´ÉÇÑ ¼ÒÇÁÆ®¿þ¾î¸¦ Æ÷ÇÔÇϵµ·Ï ¿ä±¸ÇϰíÀÖ´Ù.

In low-level terms all media technology simply becomes more modular. ³·Àº - ¼öÁØÀÇ Á¶°Ç¿¡ÀÖ´Â ¸ðµç ¹Ìµð¾î ±â¼úÀº ´Ü¼øÈ÷ ´õ ¸¹Àº ¸ðµâÀ̵ȴÙ. A hardware device (minicomputer) that can run various forms of software (codecs). Codecs are software programs that contain different rules for running the music. Çϵå¿þ¾î ÀåÄ¡°¡ ¼ÒÇÁÆ®¿þ¾îÀÇ ´Ù¾çÇÑ ÇüÅ (ÄÚµ¦)À» ½ÇÇàÇÒ ¼öÀÖ½À´Ï´Ù (¼ÒÇü). ÄÚµ¦Àº À½¾ÇÀ» ½ÇÇàÇϱâÀ§ÇÑ ´Ù¸¥ ±ÔÄ¢À» Æ÷ÇÔÇϰíÀÖ´Â ¼ÒÇÁÆ®¿þ¾î ÇÁ·Î±×·¥ÀÔ´Ï´Ù.


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