Music production with Midi Sequencing ¹Ìµð ½ÃÄö½Ì°ú À½¾Ç Á¦ÀÛ

Basic functions of a Music MIDI system À½´ë´Â MIDI ½Ã½ºÅÛÀÇ ±âº» ±â´É
Other techniques ´Ù¸¥ ±â¹ý
Musical Information Digital Interface connections: ¹ÂÁöÄà Á¤º¸ µðÁöÅÐ ÀÎÅÍÆäÀ̽º ¿¬°á :- MIDI IN (the socket that receives information from a controller, ie MIDI keyboard) ±×·± ÄÁÆ®·Ñ·¯, Áï MIDI Űº¸)¿¡¼ Á¤º¸¸¦¹Þ½À´Ï´Ù´Â MIDI (¼ÒÄÏ
- MIDI OUT (the socket that sends information from a controller, ie MIDI keyboard) ±×·± ÄÁÆ®·Ñ·¯, Áï MIDI Űº¸)¿¡¼ Á¤º¸¸¦ º¸³À´Ï´Ù MIDI¸¦ ¿ä¸Á (¼ÒÄÏ
- MIDI THRU (the socket on a slave unit that sends information to the MIDI in of the next MIDI device in a chain) MIDI¸¦ ÅëÇØ (¼ÒÄÏ MIDI¸¦ À§ÇØ ±× ´ÙÀ½, MIDI ÀåºñÀÇ »ç½½¿¡ Á¤º¸¸¦ º¸³À´Ï´Ù ³ë¿¹ ´ÜÀ§¿¡)
Notes (note on ie when a key is pressed, note off, when a key is released) Áï¿¡ ³ëÆ® (¸Þ¸ð ¶§ ۸¦ ´©¸£¸é), ¶§ ¿¼è¸¦ °ø°³ÇÕ´Ï´Ù
Continuous controllers (Pitch and modulation wheels, peddles and switches that control functions like vibrato, portamento, effects, etc) (ÇÇÄ¡ ¹× ¸ðµâ ·¹ÀÌ¼Ç ÈÙ, peddles°ú vibrato, portamento°ú °°Àº Á¦¾î ±â´É, È¿°ú, µî) Áö¼ÓÀûÀÎ ½ºÀ§Ä¡ ÄÁÆ®·Ñ·¯
Program change (a MIDI message that changes an instrument or an effect patch at a point in a song) ÇÁ·Î±×·¥ º¯°æ (MIDI¸¦ ¸Þ½ÃÁö°¡ ³ë·¡¿¡ ¾Ç±â ½ÃÁ¡¿¡¼ º¯°æÇϰųª È¿°ú°¡ ÆÐÄ¡)
Keyboards (a MIDI keyboard is one type of MIDI controller, others are drum pads, MIDI guitars and wind synths, etc) Űº¸µå (MIDI Űº¸´Â MIDI ÄÁÆ®·Ñ·¯ÀÇ ÇÑ À¯ÇüÀÔ´Ï´Ù, ±âŸ) ÆÐµå, synths MIDI¸¦ ±âŸ¿Í ¹Ù¶÷ µî µå·³ÀÖ´Ù
Modules/soft synths (a MIDI module is a sound generating devices with no integral keyboard) Sequencers (a device used for recording and playing back MIDI information) (Reason and Cubase are multi-track sequencers) ¸ðµâ / ºÎµå·¯¿î synths (MIDI¸¦ ¸ðµâÀÌ ÀüÇô ºÒ°¡ °áÇÑ Å°º¸µå ¼Ò¸®¸¦ »ý¼ºÇÏ´Â ÀåÄ¡) Sequencers (³ìÀ½ ¹× MIDI Á¤º¸¸¦ Àç»ýÇÏ´Â ÀåÄ¡¿¡ »ç¿ë) (ÀÌÀ¯ ¹× Cubase´Â ¸ÖƼ - Æ®·¢ sequencers)
General MIDI (a manufacturers protocol where all MIDI devices or software have a minimum level of compatibility, ie piano¡¯s on MIDI channel 1, etc) ÀÏ¹Ý MIDI (MIDI¸¦ ÀåÄ¡ ¶Ç´Â ¼ÒÇÁÆ®¿þ¾î Á¦Á¶ ¾÷üµéÀº ´Ù ¾îµð ÇÁ·ÎÅäÄÝ È£È¯¼ºÀÇ ÃÖ¼Ò ¼öÁØÀÇ MIDI¸¦ ä³Î 1, µîµî¿¡, Áï ÇǾƳëÀÇ)
This is the basic configuration of a sequencer relating to midi. À̰Ͱú °ü·ÃµÈ´Â MIDI ½ÃÄö¼ÀÇ ±âº» ±¸¼ºÀÔ´Ï´Ù. The multi-timbral synthesizer is normally apart of a soundcard which is quite often internal. Herbie Hancock is a fantastic jazz musician who has used alot of midi in his recordings ¸ÖƼ - timbral ÇÕ¼º±â°¡ Á¤»óÀûÀ¸·Î ¶³¾îÁ®ÀÖ´Â ¾ÆÁÖ ÀÚÁÖ. Çãºñ ÇàÄÛÀº ÀÚ½ÅÀÇ À½¹Ý¿¡ MIDI¸¦ ¸¹ÀÌ »ç¿ëÇϰíÀִٴ ȯ»óÀûÀÎ ÀçÁî ¹ÂÁö¼ÇÀÇ ³»ºÎ´Â »ç¿îµåÀÇ Common features available in a Music MIDI sequencer. °øÅëµÈ Ư¡Àº À½¾Ç MIDI ½ÃÄö¼¿¡¼ »ç¿ëÇÒ ¼öÀÖ½À´Ï´Ù.
- Features expected in a midi sequencer MIDI ½ÃÄö¼ ±â´É ¿¹»ó
- the ability to assign midi channels to individual tracks °³º° Æ®·¢¿¡ MIDI¸¦ ä³ÎÀ» ÇÒ´çÇÏ´Â ´É·Â
- the ability to assign individual instruments to each track °¢ Æ®·¢À» °³º° ¾Ç±â¸¦ ÇÒ´çÇÏ´Â ´É·Â
- facilities for at least 16 tracks Àû¾îµµ 16 Æ®·¢À»À§ÇÑ ½Ã¼³
- a piano a role editor, individual note adjustments ÇÇ¾Æ³ë ¿ªÇÒ ÆíÁý±â, °³ÀÎ ¸Þ¸ð¸¦ Á¶Á¤
- the ability to use a real-time MIDI controller ´É·Â MIDI¸¦ Real - TimeÀ» »ç¿ëÇÏ´Â ÄÁÆ®·Ñ·¯
- playback facility, the ability to playback MIDI events or sequence Àç»ý ¼³ºñ, Àç»ý ¼ø¼´Â MIDI À̺¥Æ® ¶Ç´Â ´É·Â
- the ability to record MIDI events while other MIDI events are being playback MIDI¸¦ Çà»çÇÏ´Â ´É·ÂÀº ´Ù¸¥ MIDI¸¦ Àç»ýÇÏ´Â À̺¥Æ®°¡ ±â·ÏµÇ´Â
- editing tools from MIDI data (events). Cut, paste, transpose and possibly timeshift ´Â MIDI µ¥ÀÌÅÍ (À̺¥Æ®). Àß¶ó³»±â, ºÙ¿©³Ö±â, ÆíÁý µµ±¸¿Í °¡´É¼ºÀÌ Timeshift Á¶º¯°æÇÏ·Á¸é
- the ability to store MIDI events (sequences). Saving and reloading of MIDI events. ´É·Â MIDI¸¦ À̺¥Æ® (½ÃÄö½º)¸¦ ÀúÀåÇÕ´Ï´Ù. ÀúÀå ¹× MIDI À̺¥Æ®ÀÇ ·ÎµåÇØ.
- The ability to dynamically affect MIDI events. Loudness, could spend, Pan etc µ¿ÀûÀ¸·Î MIDI¸¦ Çà»çÇÏ´Â ´É·Â¿¡ ¿µÇâÀ» ¹ÌÄ¡´Â. Loudness, º¸³¾ ¼öÀÖ´Â ÆÒ µî
- the ability to quantise events ´É·ÂÀ» Çà»çÇÏ´Â quantise
- the ability to humanise a sequence (randomise, shuffle) ´É·ÂÀ» ½ÃÄö½º (randomise, ¼ÅÇÃ) humanise·Î
- additional features the MIDI sequencer might have ´Â MIDI ½ÃÄö¼ Ãß°¡ ±â´ÉÀ» °¡Áö°íÀÖ½À´Ï´Ù
- notation editor, this could be in the form of the score (manuscript) Ç¥±â¹ý ÆíÁýÀåÀÌ Á¡¼ö (¿ø°í)ÀÇ ÇüŰ¡ µÉ ¼öµµ
- the ability to manipulate MIDI commands. The ability to enter formatted MIDI system exclusive messages. MIDI ¸í·ÉÀ» Á¶ÀÛÇÏ´Â ´É·Â. ´É·Â üÁ¦¸¦ µ¶Á¡ ¸Þ½ÃÁö Æ÷¸Ë MIDI¸¦ ÀÔ·ÂÇÕ´Ï´Ù.
- Record, stop, play and other associated transport and location tools; looping; drop-in and drop-out; quantisation; overdubbing and track replace recording; tempo; count in; click track, time-line, play marker. ³ìÈ, Àç»ý ¹× ±âŸ °ü·Ã ±³Åë ¹× À§Ä¡ µµ±¸¸¦ Áß´Ü; ·çÇÎ; µå·Ó - inÀ»ÇÏ°í µå·Ó - ¾Æ¿ô; quantisation; overdubbing ¹× ÃßÀû ±³Ã¼ ³ìÀ½; ÅÛÆ÷;¿¡ Ä«¿îÆ®;¸¦ Ŭ¸¯ ÃßÀû, ½Ã°£ - ¶óÀÎ, ¸¶Ä¿¸¦ ¿¬ÁÖÇß´Ù.
- Quantization is assigning time values to played notes in a Sequencer. ¾çÀÚÈ Àç»ý ½Ã°£¿¡ °ªÀ» ÁöÁ¤ÇÏ¿© ³ëÆ®¿¡ ½ÃÄö¼ÀÌ´Ù. One can select note values (quarter, eighth, sixteenth) and the MIDI Sequencer will snap the note to the closest time multiple interval. Becareful not to over use this as it can take away from your live record jazz and even can have that effect with hip hop One can select note values (quarter, eighth, sixteenth) and the MIDI Sequencer will snap the note to the closest time multiple interval. Becareful not to over use this as it can take away from your live record jazz and even can have that effect with ÈüÇÕ
Features of a typical musical song or arrangement . ÀüÇüÀûÀÎ ¹ÂÁöÄà ³ë·¡ ¶Ç´Â ÇÕÀÇÀÇ Æ¯Â¡.
The essence of music lies in its melody, harmony, rhythm and dynamics. À½¾ÇÀÇ º»ÁúÀº ¸á·Îµð, Çϸð´Ï, ¸®µë°ú ¿ªÇÐ °ü°è¿¡ ³õ¿©ÀÖ½À´Ï´Ù. Melody gives music spirit, rhythm blends the expression of harmony and dynamics with the tempo of the piece. À½¾ÇÀº ¿µÈ¥À»ÁÖ´Â ¼±À², ¸®µë°ú Á¶È¸¦ ÀÌ·ç¸ç ¿Ïº®ÇÑ Á¶È¸¦ ÀÌ·ç°í Á¶°¢ÀÇ ÅÛÆ÷¿Í ¿ªµ¿¼ºÀ» Ç¥ÇöÇß´Ù.
All are needed for a recognizable pattern known as a "song." ¸ðµÎ°¡ ÀνÄÇÒ ÆÐÅÏ "ÀÇ ³ë·¡·Î ¾Ë·ÁÁøÀÌ ÇÊ¿äÇÕ´Ï´Ù."
Melody is the succession of single tones perceived as a unity. ´ÜÀÏ ÅæÀ¸·Î ¸á·Îµð ÅëÇÕÀ¸·Î ÀνÄÀÇ °è½ÂÀÔ´Ï´Ù. This manifested itself in a musical form the characteristics of the melody are range shape and movement. Rhythm is basically musical time. ÀÌ ¸á·ÎµðÀÇ Æ¯Â¡Àº ´Ù¾çÇÑ ¸ð¾ç°ú ¿òÁ÷ÀÓÀ»ÇÏ´Â ¹ÂÁöÄà Çü½ÄÀ¸·Î ÀÚü ÀûÇÏ. ¸®µëÀº ±âº»ÀûÀ¸·Î À½¾Ç ½Ã°£ÀÌ´Ù. In real terms it can be viewed as tying the flow. ±×°ÍÀº È帧À¸·Î º¼ ¼öÀÖ´Â ½ÇÁú ¹öƼ. It is analogous to how metre regulates a poem. ¾î¶»°Ô ½Ã¸¦ ¹ÌÅÍ ±ÔÁ¤¿¡ ºñ°ßµÈ´Ù.
With modern computers that can be an automated approach to producing music. Çö´ë ÄÄÇ»ÅÍ·Î ±× À½¾ÇÀ» »ý»êÇÏ´Â ÀÚµ¿ÈµÈ Á¢±ÙÇÏ½Ç ¼öÀÖ½À´Ï´Ù.
The basic structure of a modern-day song. Çö´ë - ÇÏ·ç ³ë·¡ÀÇ ±âº» ±¸Á¶.
Drums, bass line, lead sounds and chords these are the basic layers of the song. µå·³,º£À̽º ¶óÀÎ, ¸®µå ¼Ò¸®¿Í ÈÀ½ÀÌ ³ë·¡ÀÇ ±âº» ·¹À̾îÀÖ½À´Ï´Ù. These layers are normally manufactured with the use of a selection of sounds often controlled by MIDI devices all made by samplers. ÀÌ·¯ÇÑ ·¹À̾ Á¤»óÀûÀ¸·ÎÀÇ ¼±ÅÃÀÇ MIDI¸¦ ÀÚÁÖ »ç¿ëÇÏ´Â ÀåÄ¡¿¡ ÀÇÇØ Á¦Á¶µÈ ½Ã·á äÃë±â¿¡ ÀÇÇØ Á¦¾îµÇ´Â ¸ðµç ¼Ò¸®¸¦Çß´Ù.
These layers are used as the foundation of the overall song arrangement. ÀÌ·¯ÇÑ ·¹À̾î Àüü ³ë·¡ ÇÕÀÇÀÇ ±âÃÊ·Î »ç¿ëµË´Ï´Ù. The song is arranged in intro, verses, chorus, Bridge, outro and breakdowns (crescendos, solos and dropouts). ³ë·¡ ¾ÕºÎºÐ¿¡,, ÄÚ·¯½º, ±³·®, ±âŸ ¹× °íÀå (crescendos, µ¶Ã¢°ú dropouts) ½Ã¸¦ ¸¶·ÃÀÌ´Ù.
Whenever using computers, you must be sure to have regular breaks from the computer. ¶§¸¶´Ù ÄÄÇ»Å͸¦ »ç¿ëÇϸé ÄÄÇ»ÅÍ¿¡¼ ÀÏ¹Ý ³ª´©±â¸¦ ¸¶½Ãµµ·ÏÇØ¾ßÇÕ´Ï´Ù. Never have liquids near computers and be sure to have a suitable seat to reduce the amout of sloaching. Àý´ë¿Í sloachingÀÇ amoutÀ» ÁÙÀ̱â À§ÇØ Àû´çÇÑ ÀÚ¸®°¡¸¦ È®½ÇÇÏ°Ô ÄÄÇ»ÅÍ ±Ùó¿¡ ¾×ü. Screen flicker is another potential danger, it does depend on the user of the system. ȸéÀÌ ±ô¹ÚÀÏ ´Ù¸¥ ÀáÀçÀûÀÎ À§ÇèÀÌÀÖ´Ù, À̰ÍÀº ½Ã½ºÅÛÀÇ »ç¿ëÀÚ¿¡ µû¶ó ´Þ¶óÁý´Ï´Ù ¾Ê½À´Ï´Ù.
Common midi/audio sequencer arrangement editing facilities ÀÏ¹Ý MIDI¸¦ / ¿Àµð¿À ½ÃÄö¼ ¹è¿À» ÆíÁý ½Ã¼³
- Copy the ability to duplicate tracks. Also the ability to duplicate MIDI note said events Æ®·¢À» º¹Á¦ÇÏ´Â ´É·ÂÀ» º¹»çÇÕ´Ï´Ù. ¶ÇÇÑ Áߺ¹µÇ´Â ±â´ÉÀ»ÇÏ´Â MIDI NoteÇß´Ù À̺¥Æ®
- Paste after copying either a block, MIDI events or a selection of MIDI events paste gives you the opportunity to lay the note sequence onto the same track or possibly a new track. º¹»çÇϰųª ºÙ¿©³Ö±â ÈÄ ºí·Ï, MIDI¸¦ Çà»çÇϰųª ºÙ¿©³Ö´Â MIDI À̺¥Æ® Áß Çϳª¸¦ ¼±ÅÃÇÏ½Ç ¼öÀÖ´Â ±âȸ¸¦ °°Àº °¡´É¼ºÀ» ÃßÀûÇϰųª »õ·Î¿î Æ®·¢¿¡ ´©¿ö ¸Þ¸ð¸¦ ¼ø¼´ë·Î Á¦°øÇÕ´Ï´Ù.
- Adjoin/block most sequences would give you the ability to group MIDI events. ÀÎÁ¢ / ´ç½ÅÀÌ ±×·ì¿¡ MIDI¸¦ Çà»ç ´É·ÂÀ»ÁÖ´Â °ÍÀÌ °¡Àå ½ÃÄö½º¸¦ Â÷´ÜÇÕ´Ï´Ù. When grouping the sequencer normally groups to a designated timing. The timing is made relative to a bar. Á¤»óÀûÀ¸·Î ÁöÁ¤ÇßÀ» ¶§ ŸÀ̹ÖÀ» ±×·ì ½ÃÄö¼ ±×·ìÈ. ±× ŸÀÌ¹Ö ¼úÁý¿¡ »ó´ëÀûÀ¸·Î ±¸¼ºµÇ¾îÀÖ½À´Ï´Ù.
- Split this gives you the opportunity to break blocks into individual events. ½ºÇø´ ºí·ÏÀÌ ³ÊÈñ¿¡°Ô ±âȸ¸¦ °³º° À̺¥Æ®¿¡ ÈÞ½ÄÀ» ÁØ´Ù.
- Repeat when playing back a sequence of MIDI events this is the opportunity to repeat that ÀÌ ¶§ ¹Ýº¹ MIDI¸¦ À̺¥Æ®ÀÇ ±âȸ°¡ ¹Ýº¹µÇ´Â ½ÃÄö½º¸¦ Àç»ýÇÒ ±×
- sequence. Move ½ÃÄö½º. À̵¿
blocks and MIDI events can normally be moved over to other tracks or to other points on the same track. ºí·Ï ¹× MIDI À̺¥Æ®°¡ Á¤»óÀûÀ¸·Î ´Ù¸¥ Æ®·¢À̳ª ´Ù¸¥ Æ÷ÀÎÆ®·Î °°Àº Æ®·¢¿¡ ÀÌ»ó À̵¿ÇÒ ¼öÀÖ½À´Ï´Ù. - Erase in the event of MIDI events being wrong for whatever reason. The ability to delete an event or a block is normally fooled by the sequencer. ¾î¶² ÀÌÀ¯´Â MIDI À̺¥Æ®ÀÇ À̺¥Æ®¿¡ Áö¿ì±â À߸øµÇ°íÀÖ´Ù. ´É·ÂÀ» »èÁ¦Çϰųª Â÷´ÜÇÏ´Â À̺¥Æ®°¡ Á¤»óÀûÀ¸·Î ¹è¿¿¡ ÀÇÇØ ³ó¶ôÀÌ´Ù.
Common editing modes available for MIDI event editing ÀÏ¹Ý ÆíÁý ¸ðµå´Â MIDI À̺¥Æ®¸¦ ÆíÁý¿¡ ÇØ´çÇÏ´Â
Midi piano roll editor ¹Ìµð ÇÇ¾Æ³ë ·Ñ ÆíÁý±â
Midi Notation editor ¹Ìµð ³ëÅ×ÀÌ¼Ç ÆíÁý±â
MIDI events editor MIDI¸¦ À̺¥Æ® ÆíÁý±â
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