Mixers ¹Í¼­

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Music Audio mixer À½¾ÇÀ» ¿Àµð¿À ¹Í¼­

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The main feature of a mixer are the levels which are clearly shown. ¹Í¼­ÀÇ ÁÖ¿ä ±â´ÉÀº ¸íÈ®ÇÏ°Ô Ç¥½ÃÇÏ´Â ¼öÁØÀÔ´Ï´Ù. Other features include gain, equalisers and reverse. ´Ù¸¥ ±â´ÉÀ» »ç¿ëÇÒ ¼öÀÖ´Ù, ¿ªÀü·ù equalisers. Gain sets the input and output boosts for a channel. °ÔÀÎ ¼³Á¤ ä³Î¿¡ ´ëÇÑ ÀԷ°ú Ãâ·Â Çâ»ó. Reverse is part of the routing control of a mixing desk . ¿ª¹æÇâ a ¹Í½Ì µ¥½ºÅ©ÀÇ ¶ó¿ìÆÃ ÄÁÆ®·ÑÀÇ ÀϺÎÀÔ´Ï´Ù.

·¦ º¸Äà Ʈ·¢À» ÈÄ¿ø Bus routing. ¹ö½º ³ë¼±.

Examples of mixing desk manufacturers are mackie, alesis, yamaha. Ã¥»ó Á¦Á¶ ¾÷ü°¡ ¹Í½ÌÀÇ ¿¹·Î´Â, alesis, ¾ß¸¶ÇÏ ¸ÆÅ°ÀÖ´Ù. This is a good example set of audio manufacturers À̰ÍÀº ¿Àµð¿À Á¦Á¶ ¾÷üµéÀÇ ÁÁÀº º»º¸±â°¡ ¼³Á¤µË´Ï´Ù
The function of a mixer buses is to give the opportunity for channels/buses to be routed into one channel.  There are several occasions when this might prove to be useful.  There are times when artists require certain track layers to be louder.  A rapper might want all the drum sounds as well as the baseline to be higher than the lead instruments.  You sometimes require the opportunity to make this change without affecting the rest of the mix.  Another occasion why this may prove to be useful is when you want to eliminate a sound altogether or groups of sounds.  He might be playing a bass guitar in a fashion that warrants it to be considered as a percussion instrument. ¹Í¼­ ¹ö½ºÀÇ ±â´ÉÀ» ä³Î¿¡ ´ëÇÑ ±âȸ¸¦ Á¦°øÇÏ´Â °ÍÀÔ´Ï´Ù / ¹ö½º¸¦ ÇϳªÀÇ Ã¤³Î·Î ¶ó¿ìÆÃµË´Ï´Ù. °Å±âÀÖÀ» ¶§ À¯¿ëÇÏ´Ù´Â °ÍÀ» Áõ¸íÀÌ ¿©·¯ Â÷·ÊÀÖ´Ù. ¿¹¼ú°¡ ƯÁ¤ Æ®·¢ ·¹À̾ÀÖÀ» ¶§°¡ ´õ Å©°Ô ÇÊ¿ä·ÎÇϰíÀÖ´Ù. ·¡ÆÛ ¼öµµ ¸ðµç ¸®µå ¾Ç±â ¼Ò¸®»Ó¸¸ ¾Æ´Ï¶ó ±âÁغ¸´Ù ³ôÀº µÉ µå·³. ³Êµµ °¡²û ±âȸ ¹Í½ºÀÇ ³ª¸ÓÁö ºÎºÐ¿¡ ¿µÇâÀ»ÁÖÁö ¾Ê°í º¯°æÀÌ ÇÊ¿äÇÕ´Ï´Ù. ¿ÖÀÌ À¯¿ëÇÏ´Ù´Â °ÍÀ» Áõ¸íÇÒ ¼öÀÖ½À´Ï´Ù ¶Ç ´Ù¸¥ ±âȸ¸¦ Á¦°ÅÇÏ·Á¸é ¿øÇÏ´Â ¶§ ¼Ò¸®°¡ ¾Æ¿¹À̳ª ¼Ò¸®ÀÇ ±×·ì. ±×´Â ÆÐ¼Ç¿¡º£À̽º ±âŸ ¿¬ÁÖÀÖÀ» ±×°Í Ÿ¾Ç±â ¿µÀåÀ¸·Î °£ÁֵǰíÀÖ´Ù.

Channel Controls (The Strip) ä³Î ÄÁÆ®·Ñ (½ºÆ®¸³)

This is the heart of the mixer. À̰ÍÀº ¹Í¼­ÀÇ ½ÉÀåÀÌ´Ù.  Generally the left hand side of the board  If you have a 16 channel mixer, you'll obviously have no more than 16 channel strips. ÀϹÝÀûÀ¸·Î º¸µåÀÇ ¿ÞÂÊÇϸé 16 ä³Î ¹Í¼­, ´ç½ÅÀº ºÐ¸í 16 °³ ÀÌ»óÀÇ Ã¤³ÎÀ» Âɰ³ÇؾßÇÕ´Ï´Ù.  They may be either mono or stereo. ±×µéµµ ¸ð³ë ¶Ç´Â ½ºÅ×·¹¿ÀÀÖÀ» ¼öÀÖ½À´Ï´Ù. Strips are usually a vertical column of controls and consist of most of the following features: ½ÃÇèÁö ´ë°³ ÄÁÆ®·ÑÀÇ ¼öÁ÷ ¿­¿¡ À§Ä¡ÇÏ°í ´ÙÀ½°ú °°Àº ±â´ÉÀÇ ´ëºÎºÐ ÀÌ·ç¾îÁ® :
Generally right at the top of the channel strip is your gain or trim control. ä³Î ½ºÆ®¸³ÀÇ »ó´Ü ¿À¸¥ÂÊ¿¡ ±ÍÇÏÀÇ À̵æÀ̳ª ¼ÕÁú ÀϹÝÀûÀ¸·Î ÄÁÆ®·ÑÀÔ´Ï´Ù.  This is to properly set the input level for your signal. ÀÌ »ç°ÇÀ» Á¦´ë·Î ½ÅÈ£¿¡ ´ëÇÑ ÀÔ·Â ¼öÁØÀ» ¼³Á¤ÇÏ´Â °ÍÀÔ´Ï´Ù.  There may be other controls like a phase reverse , or low frequency roll off . °Å±â¿¡ ³»·Á¿ä À§»ó ¸®¹ö½º, ¶Ç´Â ³·Àº Á֯ļö¿Í °°Àº ´Ù¸¥ ÄÁÆ®·ÑÀÌÀÖÀ» ¼öÀÖ½À´Ï´Ù.
Often, there is an EQ section directly following the mic preamp. ÀÚÁÖ, °Å±â¿¡ Á÷Á¢ ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ EQ ¼³Á¤ ¼½¼Ç¿¡¼­ ´ÙÀ½°ú °°´Ù.  The type of EQ varies from mixer to mixer, but may be parametric or have a fixed frequency. EQ ¼³Á¤ÀÇ À¯Çü¿¡¼­ ¹Í¼­ ¹Í¼­,ÇÏÁö¸¸ ¸Å°³ º¯¼ö°¡ µÉ ¼öÀÖ½À´Ï´Ù ´Ù¸¨´Ï´Ù ¶Ç´Â °íÁ¤ Á֯ļö¸¦ °®°íÀÖ´Ù.
Directly after the EQ is usually your Aux sends or Effects sends . You use these to send a signal to an outboard effects unit. Á÷Á¢ ÈÄ EQ´Â ÀϹÝÀûÀ¸·Î ±ÍÇÏÀÇ º¸Á¶¸¦ º¸³À´Ï´ÙÀ̳ª È¿°ú¸¦ º¸³À´Ï´Ù. ´ç½ÅÀº °è½Å È¿°ú À¯´Ö¿¡°Ô ½ÅÈ£¸¦ º¸³» À̵éÀ» »ç¿ëÇÕ´Ï´Ù.  There will be aux outputs on the back of the mixer to connect to the effects unit. °Å±â ¹Í¼­ÀÇ µÞ¸é¿¡ º¸Á¶ Ãâ·ÂÀ» ¿µÇâÀ» ´ÜÀ§·Î ¿¬°áÇÏ´Â °ÍÀÔ´Ï´Ù.  The higher you turn up the corresponding send, the more signal gets sent to the output. °¡Àå ³ôÀº ´ëÀÀ, ´õ ¸¹Àº ½ÅÈ£¸¦ Ãâ·ÂÇϵµ·Ï º¸³»°í ¿Ã·Á º¸³»¿É´Ï´Ù.  You use these sends to allow you to send more than one signal to an effects unit. ÀÌ·¯ÇÑ º¸³À´Ï´Ù ´ç½ÅÀº È¿°ú¸¦ ´ÜÀ§·Î Çϳª ÀÌ»óÀÇ ½ÅÈ£¸¦ º¸³¾ ¼ö ÀÖµµ·Ï Çã¿ëÇÏ´Â µ¥ »ç¿ëÇÕ´Ï´Ù.  You may send from as many channels as you want, and the signals will be mixed an sent to the effects unit. ´ç½Å¿¡°Ô¼­ °¡´ÉÇÑ ¸¹Àº ä³Î·Î, ¿øÇÏ´Â ½ÅÈ£¸¦ º¸³¾ ¼öÀִ ȥÇÕ µÉ È¿°ú¸¦ ´ÜÀ§·Î º¸³Â½À´Ï´Ù.
Some aux sends may be labelled prefader . ÀϺΠº¸Á¶ prefader Ç¥½ÃµÇ¾îÀÖÀ» ¼öÀÖ½À´Ï´Ù º¸³À´Ï´Ù.  the signal is sent to the fx unit at the same volume, regardless of the fader's position. ½ÅÈ£°¡·Î FX ´ÜÀ§·Î °°Àº º¼·ý¿¡ °ü°è¾øÀÌ ÆäÀÌ´õÀÇ ÀÔÀå º¸³»Áý´Ï´Ù.  With a postfader send, lowering the level on the channel's fader will also lower the level going to the aux send. ÇÔ²² postfader º¸³» ä³ÎÀÇ ÆäÀÌ´õ¿¡ ´ëÇÑ ¼öÁØÀ» ³·Ãçµµ ³·Àº ¼öÁØÀÇ º¸Á¶¸¦ º¸³»·Á°íÇÑ´Ù.
Subgroup assignment switches . ºÎºÐ ±º ÀÓ¹« ÀüȯµË´Ï´Ù.  These switches decide how you want your mix routed through the boards subgroup busses. An obviously, you may pan it anywhere between the extremes to split the signal in any amount to each side. ÀÌ·¯ÇÑ ½ºÀ§Ä¡´Â ¾î¶»°ÔÇÏ¸é ¿øÇÏ´Â °áÁ¤ÇÒ ¹Í½º º¸µå¸¦ ÅëÇØ ¶ó¿ìÆÃ ¹ö½º ÇÏ±Þ Áý´Ü. ÇÑ ºÐ¸íÈ÷, ´ç½ÅÀº ¾îµð ±Ø´Ü »çÀÌ¿¡ ¾î¶² ±Ý¾×¿¡¼­ °¢ÂÊÀ¸·Î ½ÅÈ£¸¦ ºÐÇÒ·Î ÆÒ ¼öÀÖ½À´Ï´Ù.
The last portion of the channel strip is the fader . ä³Î ½ºÆ®¸³ÀÇ ¸¶Áö¸· ºÎºÐÀº ÆäÀÌ´õÀÔ´Ï´Ù.  This is the amount of signal that gets sent to the subgroup(s) the channel is assigned and panned to. ÀÌ ½ÅÈ£ÀÇ (ÇÏ±Þ Áý´Üµé) ä³ÎÀÌ ÇÒ´çµË´Ï´Ù µÆ¾î¿ä·Î Àü¼ÛÇÏ°í ¾ò´Â ±Ý¾×ÀÔ´Ï´Ù.  Generally a fader's unity gain position is labelled 0dB, and is approximately 3/4 of the way to the top. ÀϹÝÀû ÆäÀÌ´õÀÇ È­ÇÕÀÇ °ÔÀÎ À§Ä¡, 0dB¶ó´Â °ÍÀº ¾à 3 / 4 °¡±â ¹æ¹ýÀÌ´Ù.  You generally place the fader here before setting the input gain. ÀϹÝÀûÀ¸·Î ¿©±â´Â ÀÔ·Â °ÔÀÎÀ» ¼³Á¤Çϱâ Àü¿¡ ÆäÀÌ´õ´Â °÷. Beside the fader are often two more switches. °Ô´Ù°¡ Á¾Á¾ the ÆäÀÌ´õ ½ºÀ§Ä¡¸¦ µÎ °³ ´õÀÖ´Ù.  These are your mute and solo controls. ÀÌ·¯ÇÑ ±ÍÇÏÀÇ À½¼Ò°Å ¹× ¼Ö·Î ÄÁÆ®·ÑÀÔ´Ï´Ù.


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