Microphone pattern basics ¸¶ÀÌÅ© ÆÐÅÏÀ» ±âº»

- Recording Devices suitable for Hip Hop or Jazz ³ìÀ½ ÀåÄ¡ ÈüÇÕÀ̳ª ÀçÁî¿¡ ÀûÇÕ
- Microphone Study study Subject was a world and jazz champion musician good Example microphones in use ¿¬±¸ ÁÖÁ¦ ¹× ¿¬±¸ÀÇ ¼¼°è èÇǾ𠸶ÀÌÅ© ÀçÁî ¹ÂÁö¼ÇÀÌ ÁÁÀº ¿¹´Ù ¸¶ÀÌÅ©¸¦ »ç¿ëÇß´Ù
- Mixer Basics this is Ideal for the Hip hop producer. ¹Í¼ ±âº»ÀÌ ÈüÇÕ ÇÁ·Îµà¼¿¡ ÀÌ»óÀûÀÔ´Ï´Ù.
Acoustic microphone features À½Çâ ¸¶ÀÌÅ© ±â´É
- Unidirectional cardiod microphone. ´Ü¹æ Ç⼺ ¸¶ÀÌÅ© cardiod.
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup ¿¡ ´ëÇÑ Á֯ļö ÀÀ´ä Contoured ±ú²ýÇϰí dzºÎÇÑ º¸Äðú ÇȾ÷ Àç»ý»ê °æÀ½¾Ç
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking Àü¹® -, Ÿ¾Ç±â µå·³¿¡ ´ëÇÑ Ç°ÁúÀ» Àç»ý»ê, ±×¸®°í ¾Ç±â ¾ÚÇÁ miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise À¯´ÏÆû cardioid ÇȾ÷ ÆÐÅÏ ¸ÞÀÎ »ç¿îµå ¼Ò½º ¹è°æ ¼ÒÀ½À» ÁÙÀÌ´Â µ¿¾È °Ý¸®
- Pneumatic shock-mount system cuts down handling noise °ø¾Ð Ãæ°Ý - ³ëÀÌÁî 󸮸¦ ³»·Á ¸¶¿îÆ® ½Ã½ºÅÛÀ» »è°¨
- Frequency response: 40 to 15,000 Hz Á֯ļö ÀÀ´ä : 40 ~ 15,000 HzÀÇ
The music factors that affect choice À½¾ÇÀº ±× ¼±Åÿ¡ ¿µÇâÀ» ¹ÌÄ¥ ¿äÀÎ
The frequency range that the microphone can pickup. Á֯ļö ¹üÀ§ ÇȾ÷ ¸¶ÀÌÅ© ¼öÀÖ½À´Ï´Ù. This will affect the recorded dynamic. À̰ÍÀº ±â·Ï ¿ªµ¿ÀûÀÎ ¿µÇâÀ» ¹ÌÄ¥ °ÍÀÌ´Ù. The sound that is to be recorded and the frequency range of the sound. Áï ¼Ò¸®¿Í ¼Ò¸®ÀÇ Á֯ļö ¹üÀ§°¡ ±â·ÏµÈ´Ù. Consider the pick up patterns of microphones and the live ambience that is required. ±×¸®°í ÇÊ¿äÇÑ »ì¾ÆÀÖ´Â ºÐÀ§±â¸¦ µ¥¸®·¯ ¸¶ÀÌÅ©ÀÇ ÆÐÅÏÀ» °í·ÁÇÕ´Ï´Ù.
| Omnidirectional Àü¹æÇâ | Cardiod Cardiod | Supercardiod Supercardiod |
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| Pick up patterns from all directions, used for good group vocals and grabbing ambient sound ¸ðµç ¹æÇâ¿¡¼, ÁÁÀº ±×·ìÀÇ º¸Äÿ¡ »ç¿ë ÆÐÅÏÀ» µé°í ¼Ò¸® Àâ¾Æ ½Ç¿Â | The most common type of microphone and only picks sound from the front of the mic ¸¶ÀÌÅ©ÀÇ °¡Àå ÈçÇÑ Á¾·ù¿Í Àü¿ë Àü¼±¿¡¼ ¼Ò¸®°¡ ¸¶ÀÌÅ©ÀÇ ¼±Åà | A tight pickup pattern ideal when multiple mics are used. ²Ë ÇȾ÷ ÆÐÅÏ ÀÌ»óÀû ¿©·¯ mics ¶§ »ç¿ëµË´Ï´Ù. |
Does the sound source have a lot of natural echo (hollow) to it. This could be seen as reverb or delay. »ç¿îµå ¼Ò½º°¡ () ±×°ÍÀ» Åõ¸í ¿¡ÄÚÀÇ ÀÚ¿¬À» ¸¹ÀÌ °¡Áö°í ÀÖ¾î¿ä.ÀÌ ÀÜÇâ ¶Ç´Â Áö¿¬À¸·Î º¼ ¼öÀÖ´Ù.
The Omnidirectional microphone this would only be used in a large hall where the natural reverb qualities of a live performance is a desirable quality to record. With the intention of sampling of the recorded live performance, reverb and natural delay are not characteristics of this sound that are wanted. ÀÌ ¹Û¿¡ ´ëÇü Ȧ¿¡ »ç¿ëµÉ °ÍÀ̶ó°íÀÌ Àü¹æÇâ ¸¶ÀÌÅ©°¡ ¾îµð¿¡ »ì¾ÆÀÖ´Â ÀÚ¿¬ÀÇ ÀÜÇâ ¼º´ÉÀÇ ÀÚÁúÀ» ±â·ÏÇÏ´Â °ÍÀÌ ¹Ù¶÷Á÷Çϴٴ ǰÁúÀÔ´Ï´Ù. ±â·ÏµÈ ¶óÀÌºê ÆÛÆ÷¸Õ½º, ÀÜÇâ°ú ÀÚ¿¬ Áö¿¬ »ùÇøµÀÇ Àǵµ·ÎÀÌ ¼Ò¸®ÀÇ Æ¯¼ºÀ̵ÇÁö ¾Ê½À´Ï´Ù ¼ö¹è ÁßÀÌ´Ù. The ideal choice for a hip hop MC would be cardiod normally they have a natural roll of on the bottom end. ¿¥¾¾ ´õ ÀϹÝÀûÀ¸·Î ±×µéÀº ¾Æ·¡ÂÊ ³¡¿¡ÀÇ Ãµ¿¬ ·ÑÀÌ cardiod µÉ °ÍÀ̶ó°íÀÌ ÈüÇÕ¿¡ ´ëÇÑ ÀÌ»óÀûÀÎ ¼±ÅÃÀÌ´Ù.
Receiver microphones covered shortly °ð ¸¶ÀÌÅ© ¼ö½Å±â Ä¿¹ö














