Microphone pattern basics ¸¶ÀÌÅ© ÆÐÅÏÀ» ±âº»

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Acoustic microphone features À½Çâ ¸¶ÀÌÅ© ±â´É

  • Unidirectional cardiod microphone. ´Ü¹æ Ç⼺ ¸¶ÀÌÅ© cardiod.
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup ¿¡ ´ëÇÑ Á֯ļö ÀÀ´ä Contoured ±ú²ýÇϰí dzºÎÇÑ º¸Äðú ÇȾ÷ Àç»ý»ê °æÀ½¾Ç
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking Àü¹® -, Ÿ¾Ç±â µå·³¿¡ ´ëÇÑ Ç°ÁúÀ» Àç»ý»ê, ±×¸®°í ¾Ç±â ¾ÚÇÁ miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise À¯´ÏÆû cardioid ÇȾ÷ ÆÐÅÏ ¸ÞÀÎ »ç¿îµå ¼Ò½º ¹è°æ ¼ÒÀ½À» ÁÙÀÌ´Â µ¿¾È °Ý¸®
  • Pneumatic shock-mount system cuts down handling noise °ø¾Ð Ãæ°Ý - ³ëÀÌÁî 󸮸¦ ³»·Á ¸¶¿îÆ® ½Ã½ºÅÛÀ» »è°¨
  • Frequency response: 40 to 15,000 Hz Á֯ļö ÀÀ´ä : 40 ~ 15,000 HzÀÇ

The music factors that affect choice À½¾ÇÀº ±× ¼±Åÿ¡ ¿µÇâÀ» ¹ÌÄ¥ ¿äÀÎ

The frequency range that the microphone can pickup. Á֯ļö ¹üÀ§ ÇȾ÷ ¸¶ÀÌÅ© ¼öÀÖ½À´Ï´Ù. This will affect the recorded dynamic. À̰ÍÀº ±â·Ï ¿ªµ¿ÀûÀÎ ¿µÇâÀ» ¹ÌÄ¥ °ÍÀÌ´Ù. The sound that is to be recorded and the frequency range of the sound. Áï ¼Ò¸®¿Í ¼Ò¸®ÀÇ Á֯ļö ¹üÀ§°¡ ±â·ÏµÈ´Ù. Consider the pick up patterns of microphones and the live ambience that is required. ±×¸®°í ÇÊ¿äÇÑ »ì¾ÆÀÖ´Â ºÐÀ§±â¸¦ µ¥¸®·¯ ¸¶ÀÌÅ©ÀÇ ÆÐÅÏÀ» °í·ÁÇÕ´Ï´Ù.

Omnidirectional Àü¹æÇâ Cardiod Cardiod Supercardiod Supercardiod
¹ü¿ë ÇȾ÷ omidirectional¸¶ÀÌÅ© ÆÐÅÏ µ¥¸®·¯ cardiodsupercardiod ÇȾ÷ ÆÐÅÏ
Pick up patterns from all directions, used for good group vocals and grabbing ambient sound ¸ðµç ¹æÇâ¿¡¼­, ÁÁÀº ±×·ìÀÇ º¸Äÿ¡ »ç¿ë ÆÐÅÏÀ» µé°í ¼Ò¸® Àâ¾Æ ½Ç¿Â The most common type of microphone and only picks sound from the front of the mic ¸¶ÀÌÅ©ÀÇ °¡Àå ÈçÇÑ Á¾·ù¿Í Àü¿ë Àü¼±¿¡¼­ ¼Ò¸®°¡ ¸¶ÀÌÅ©ÀÇ ¼±Åà A tight pickup pattern ideal when multiple mics are used. ²Ë ÇȾ÷ ÆÐÅÏ ÀÌ»óÀû ¿©·¯ mics ¶§ »ç¿ëµË´Ï´Ù.
Mic choice and placement also affect how distant the instrument sounds in the recording, and how much background noise you pick up. ¸¶ÀÌÅ© ¼±Åðú ¹èÄ¡¿¡ ¿µÇâÀ» ¹ÌÄ¥ ¹æ¹ýµµ ¸Õ ¾Ç±â ³ìÀ½¿¡¼­ ¹è°æ ÀâÀ½°ú ¼Ò¸®°¡ ¾ó¸¶³ª ³Î µ¥¸®·¯.

Does the sound source have a lot of natural echo (hollow) to it.  This could be seen as reverb or delay. »ç¿îµå ¼Ò½º°¡ () ±×°ÍÀ» Åõ¸í ¿¡ÄÚÀÇ ÀÚ¿¬À» ¸¹ÀÌ °¡Áö°í ÀÖ¾î¿ä.ÀÌ ÀÜÇâ ¶Ç´Â Áö¿¬À¸·Î º¼ ¼öÀÖ´Ù.

The Omnidirectional microphone this would only be used in a large hall where the natural reverb qualities of a live performance is a desirable quality to record.  With the intention of sampling of the recorded live performance, reverb and natural delay are not characteristics of this sound that are wanted. ÀÌ ¹Û¿¡ ´ëÇü Ȧ¿¡ »ç¿ëµÉ °ÍÀ̶ó°íÀÌ Àü¹æÇâ ¸¶ÀÌÅ©°¡ ¾îµð¿¡ »ì¾ÆÀÖ´Â ÀÚ¿¬ÀÇ ÀÜÇâ ¼º´ÉÀÇ ÀÚÁúÀ» ±â·ÏÇÏ´Â °ÍÀÌ ¹Ù¶÷Á÷Çϴٴ ǰÁúÀÔ´Ï´Ù. ±â·ÏµÈ ¶óÀÌºê ÆÛÆ÷¸Õ½º, ÀÜÇâ°ú ÀÚ¿¬ Áö¿¬ »ùÇøµÀÇ Àǵµ·ÎÀÌ ¼Ò¸®ÀÇ Æ¯¼ºÀ̵ÇÁö ¾Ê½À´Ï´Ù ¼ö¹è ÁßÀÌ´Ù. The ideal choice for a hip hop MC would be cardiod normally they have a natural roll of on the bottom end. ¿¥¾¾ ´õ ÀϹÝÀûÀ¸·Î ±×µéÀº ¾Æ·¡ÂÊ ³¡¿¡ÀÇ Ãµ¿¬ ·ÑÀÌ cardiod µÉ °ÍÀ̶ó°íÀÌ ÈüÇÕ¿¡ ´ëÇÑ ÀÌ»óÀûÀÎ ¼±ÅÃÀÌ´Ù.

Receiver microphones covered shortly °ð ¸¶ÀÌÅ© ¼ö½Å±â Ä¿¹ö


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