Dancehall Bootie Dancehall ±ÃµÀÌ

Nusrat fateh Ali Khan , Nusrat fateh ¾Ë¸® Ä,
Nusrat was born in Faisalabad , Punjab on October 13 , 1948 to Ustad Fateh Ali Khan , a distinguished musicologist, vocalist, instrumentalist, and skilled Qawwali performer. Nusrat Faisalabad, ÆÝÀں꿡 1948³â 10¿ù 13ÀÏ¿¡ Ustad Fateh ¾Ë¸® Ä, Àú¸íÇÑ À½¾Ç°¡, ¼º¾Ç°¡, ±â¾Ç, ±×¸®°í ¼÷·ÃµÈ Qawwali ¿¬±âÀÚ·Î ÅÂ¾î ³µ¾î¿ä. He had one brother, Farrukh Fateh Ali Khan . ±×´Â µ¿»ý ¾Ë¸® Ä Farrukh FatehÇß´Ù. Initially, his father did not want Nusrat to follow him into the Qawwali business. óÀ½¿¡´Â ±×ÀÇ ¾Æ¹öÁö°¡ »ç¾÷¿¡ Nusrat the Qawwali ±×¸¦ µû¶óÇÏ°í ½ÍÁö ¾Ê¾Ò¾î. He had his heart set on Nusrat choosing a much more respectable career path and becoming a doctor, because he felt south asian Qawwali artists had low social status. ±×´Â ±×ÀÇ ¸¶À½ Nusrat¿¡ ÈξÀ ´õ Á¸°æ °æ·Â °æ·Î ¼³Á¤À» ¼±ÅÃÇϰí Àǻ簡µÇ±â ¶§¹®¿¡, ³²ÂÊÀ¸·Î ¾Æ½Ã¾Æ ¿¹¼ú°¡Çß´Ù Qawwali ³·Àº »çȸÀû ÁöÀ§ ´À²¼´Ù. However, Nusrat showed such an aptitude for, and interest in, Qawwali that his father finally relented and started to train him in the art of Qawwali and he was also taught to sing within the classical framework of Khayal . ±×·¯³ª, Nusrat, À§ÇØ µî Àû¼º¿¡ °ü½ÉÀ» º¸¿©, ±×ÀÇ ¾Æ¹öÁö°¡ ¸¶Ä§³» Qawwali ´µ¿ìÄ¡°í QawwaliÀÇ ¿¹¼ú¿¡ ±×¸¦ ÈÆ·ÃÀ» ½ÃÀÛÇϰí KhayalÀÇ °íÀüÀûÀΠƲ ¾È¿¡¼µµ ³ë·¡¸¦ ¹è¿ü½À´Ï´Ù. This training was still incomplete when Ustad Fateh Ali Khan died in 1964 while Nusrat was still in school, and the training was continued by Nusrat's paternal uncle, Ustad Mubarak Ali Khan . À̹ø ÈÆ·ÃÀº Nusrat ¾ÆÁ÷µµ ¿©ÀüÈ÷ Çб³¿¡ ÀÖ´ø Ustad Fateh ¾Ë¸® Ä ¹Ú»ç°¡ 1964 ³â »ç¸ÁÇßÀ» ¶§, ÈÆ·ÃÀº NusratÀÇ ¾Æ¹öÁö¿Í »ïÃÌ, Ustad ¹«¹Ù¶óÅ© ¾Ë¸® Ä¿¡ ÀÇÇØ °è¼ÓµÆ´Ù ¹Ì¿ÏÀÇ »óÅ¿´´Ù. Ten days after his father's death, Nusrat had a dream where his father came to him and told him to sing, touching his throat. ±×ÀÇ ¾Æ¹öÁöÀÇ Á×À½À» 10 ÀÏ ÈÄ¿¡, Nusrat, ±×ÀÇ ¸ñÀ» ¸¸Áö´Â ²ÞÀ» ¾îµð¼ ¿Â ±×ÀÇ ¾Æ¹öÁö´Â ±×¸¦ À§ÇØ ³ë·¡ÇÏ°í ±×¸¦ °í ¸»Çß´Ù. Nusrat woke up singing, and was moved by the dream to decide that he would make Qawwali his career. Nusrat ³ë·¡, ±×¸®°í ±ú¾î³ª º¸´Ï ²Þ¿¡ ÀÇÇØ ±× ÀÚ½ÅÀÇ °æ·ÂÀ» ¸¸µé °ÍÀÎÁö¸¦ °áÁ¤ÇÏ´Â Qawwali ¿Å°ÜÁ³´Ù. His first public performance was at his father's funeral ceremony forty days later. ±×ÀÇ Ã¹ °ø°³ ¼º´É ¾Æ¹öÁöÀÇ Àå·Ê ÀÇ½Ä »ç½ÊÀÏ ÀúÀåÇß´Ù. Under the guidance of Ustad Mubarak Ali Khan, he became the group's leader in 1965 and the group was called Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party . Ustad ¹«¹Ù¶óÅ© ¾Ë¸® ÄÀÇÁöµµÇÏ¿¡, ±×´Â 1965 ³â ±×·ìÀÇ ¸®´õ°¡ µÈ ±×·ìÀº Nusrat Fateh¿Í ¾Ë¸® Ä,¶ó´Â ¹«ÀÚ È÷µå ¹«¹Ù¶óÅ© ¾Ë¸® Ä & ÆÄƼ. ("Party" is the term used in Qawwali for the supporting members of the group). ( "ÆÄƼ"¶ó´Â ¿ë¾î Qawwali¿¡¼ ±×·ìÀÇ ±¸¼º¿ø¿¡ ´ëÇÑ Áö¿øÀ» »ç¿ë)ÀÔ´Ï´Ù.
Sabir Music Styles »çºñ À½¾Ç ½ºÅ¸ÀÏ
Sufi And Qawali Music °ú ¼öÇÇ À½¾Ç Qawali
The Qawali is inextricably linked to the Sufi tradition; Sufism is a mystical school of Islamic thought which strives to attain truth and divine love by direct personal experience. ÀÌ Qawali ¼ö¾ø´Â ¿ì¿¬ the ¼öÇÇ ÀüÅë¿¡ ¸µÅ©µÇ¾îÀÖ½À´Ï´Ù; Sufism´Â Áø½Ç°ú Á÷Á¢ÀûÀÎ °³ÀÎÀÇ °æÇè¿¡ ÀÇÇØ ½Å¼ºÇÑ »ç¶ûÀ» ¾ò±â À§ÇØ ³ë·ÂÇÏ°í »ý°¢ÀÇ ½Åºñ·Î¿î À̽½¶÷ Çб³ÀÔ´Ï´Ù. In Arabic, this mysticism is known as tasawwuf. The difference between Sufism and mainstream Islam is simple. All Muslims believe that man is on a path to God (tariqah). ¾Æ¶ø¾î·ÎÀÌ ½ÅºñÁÖÀÇ tasawwuf·Î ¾Ë·ÁÁ®ÀÖ´Ù. Sufism¿Í À̽½¶÷ ÁÖ·ùÀÇ Â÷ÀÌ´Â °£´ÜÇÏ´Ù. ¸ðµç À̽½¶÷±³µµ ±× »ç¶÷À» Çϳª´ÔÀÇ °æ·Î (tariqah)¿¡ÀÖ´Ù. However, where the mainstream Muslim believes that it is only possible to reach God after death at the final judgement, the Sufi believes that it is possible to reach God during ones life. ±×·¯³ª ±×°ÍÀº ¾îµð ÁÖ·ù ¹«½½¸² Á×Àº ÈÄ¿¡ Çϳª´Ô¸¸ÀÌ ÃÖÁ¾ ÆÇ´Ü¿¡ µµ´ÞÇÒ ¼öÀÖ´Ù, ¼öÇÇ ±× »ý¸íÀ» Çϳª´Ô²² µµ´Þ °¡´ÉÇÑ °Íµé Áß¿¡ÀÖ´Ù. To this end there are a number of different techniques and methods. °Å±â¿¡ ´Ù¸¥ ±â¼ú°ú ¹æ¹ýÀÇ ¼ýÀÚ´ÂÀÌ ³¡³´Ù. The Qu'ran instructs man to remember God. ÄÚ¶õ¿¡¼ Çϳª´ÔÀ» ±â¾ïÇÏ´Â »ç¶÷ÀÌ Áö½ÃÇÕ´Ï´Ù. This remembrance, known as dhikr, maybe either silent of vocal. ÀÌ ±â³ä¹°, dhikr·Î ¾Ë·ÁÁø, ¾Æ¸¶µµ µÎ º¸ÄÃÀÇ Ä§¹¬. The Qawali maybe viewed as an extension of the vocal form of this remembrance. By the end of the 11th century, there arose the tradition of the Sama. ¾Æ¸¶µµ À̰ÍÀÌ ±â¾ïÀÇ º¸ÄÃÀº Qawali ¾ç½ÄÀÇ ¿¬ÀåÀ¸·Îº¸°íÀÖ´Ù. 11 ¼¼±âÀÇÀÌ ³¡³¯ ¹«·Æ¿¡´Â »õ¸¶ÀÇ ÀüÅë ¿Ã¶ó¿À³×. The Sama was often a spiritual concert, which included a vocalist and instrumentalists. Àº »õ¸¶ Á¾Á¾ ¿µÀûÀÎ ÄܼƮ´Â º¸Äðú instrumentalists Æ÷ÇԵƴÙ. These Samas took place under the direction of a spiritually respected man (Sheikh) . ÀÌ·¯ÇÑ Samas ¿µÀû Á¸°æÇÏ´Â »ç¶÷ÀÇ ¹æÇâ (¼ÎÀÌÅ©)¿¡¼ ¿·È´Ù. There is a very specific psychological process which a Qawali follows. °Å±â Qawali´Â ´ÙÀ½°ú °°ÀÌ ¸Å¿ì ±¸Ã¼ÀûÀÎ ½É¸®Àû °úÁ¤ÀÌ´Ù. One starts with the singing of the song. ³ë·¡ÀÇ ³ë·¡¿Í Çϳª°¡ ½ÃÀ۵˴ϴÙ. In this psychological state the song is received in a manner that is not unlike standard forms of musical expression. ³ë·¡ ¹æ½Ä¿¡¼ ¹ÂÁöÄðú ´Þ¸® Ç¥ÇöÀÇ Ç¥ÁØ ¾ç½ÄÀÌ Á¤½Å »óŰ¡ Á¢¼öµÇÁö ¾Ê½À´Ï´Ù. The words are sung, quite repeatedly with variations intended to bring out deeper means of the lyrics. ´Ü¾î, ²Ï À¯»ç ¹Ýº¹ °¡»çÀÇ ±íÀº ÀÇ¹Ì¿Í ÇÔ²² ¼º ¹ÛÀ¸·Î ³»º¸ÀÏÇÏ·Á´Â Àǵµ°¡¾ø½À´Ï´Ù. After awhile there is a repetition to the extent that the words cease to have a meaning. Àá½Ã ÈÄ °Å±â¿¡ ¾î´À Á¤µµ ±× Àǹ̸¦ °®´Â ´Ü¾î¸¦ Áß´ÜÇÏ´Â ¹Ýº¹ÀÌ´Ù. It is the goal here to lead the listener and performer alike into a trance (hal). ±×°ÍÀÇ ¸ñÇ¥´Â ¿©±â¿¡ ºñ½ÁÇÏÁö ¹«¾Æ·Î ûÃëÀÚ¿Í ¿¬±âÀÚ ¸®µå ()°¡ halÀÔ´Ï´Ù. In the ideal situation the participant is moved to a state of spiritual enlightenment (fana). ÀÌ»óÀûÀÎ »óȲ¿¡¼´Â Âü°¡ÀÚ ¿µÀûÀÎ ±ú´ÞÀ½ (fana)ÀÇ »óÅ·ΠÀ̵¿ÇÕ´Ï´Ù. One man who was inspired by the Hazrat Nizamuddin was Amir Khusru (1254- 1324). ´©±¸ ÇÑ »ç¶÷ ¾Æ¹Ì¸£ Hazrat Nizamuddin¿¡ ÀÇÇØ ¿µ°¨À» Khusru (1254 - 1324)À̾ú´Ù. He was born in Mominpur (Padilla). ±×´Â Mominpur (ºüµð¾ß)¿¡¼ ž½À´Ï´Ù. His father was originally from Turkey, this gave the young boy a broader exposure to the rest of the Islamic world. ±×ÀÇ ¾Æ¹öÁö, À̰ÍÀÌ ¾î¸° ¼Ò³âÀº À̽½¶÷ ¼¼°èÀÇ ³ª¸ÓÁö ºÎºÐ¿¡ ´ëÇÑ ±¤¹üÀ§ÇÑ ³ëÃâÀ» ÁØ ÅÍŰ Ãâ½ÅÀ̾ú´Ù. His father died when he was eight years old, whereupon the job of raising him fell to his maternal grandfather. ±×´Â 8 »ì ¶§ ±×ÀÇ ¾Æ¹öÁö´Â ±×¿¡°Ô ¹«¾ù ÀλóÀÇ Á÷¾÷ »ì¶§ µ¹¾Æ°¡ ±×ÀÇ ¿ÜÁ¶ºÎ¸¦ ±â·ÏÇß´Ù. Amir Khusru was a legendary musician, statesman and philosopher. ¾Æ¹Ì¸£ Khusru Àü¼³ÀûÀÎ À½¾Ç°¡, Á¤Ä¡°¡¿Í »ç»ó°¡¿´´Ù. It is said that he was the advisor to 11 rulers of Delhi, particularly the rulers of the Khilji Dynasty Amir Khusru is so important to the development of Qawali that he is often (e rroneously) said to be the inventor of it. ±×°ÍÀº ±×°¡ ÀεµÀÇ 11 ÅëÄ¡ÀÚ, Khilji ¾Æ¹Ì¸£ Khusru ¿ÕÁ¶ÀÇ ÅëÄ¡ÀÚ¿¡°Ô ƯÈ÷ °í¹®À» ³Ê¹« QawaliÀÇ ¹ßÀüÀ» À§ÇØ ±×°¡ ÀÚÁÖ (ÀüÀÚ rroneously)ÀÇ ¹ß¸í°¡°¡ µÉ °ÍÀ¸·Î ¾Ë·ÁÁ³´Ù Áß¿äÇÏ´Ù. It is said that he mixed the various musical elements from Turkey, greater Persia and India together. ±×°ÍÀº ±×°¡ ÇÔ²² ÅÍŰ, Å« Æä¸£½Ã¾Æ¿Í Àεµ¿¡¼ ´Ù¾çÇÑ À½¾ÇÀû ¿ä¼Ò°¡ ¼¯¿©ÀÖ´Ù. Even today, we find the curious mixture of Persian moqquams with Indian rags. ¿À´Ãµµ ¿ì¸®°¡ Àεµ °É·¹¸¦ ÇÔ²² À̶õ¾î moqquamsÀÇ È£±â½É ¼¯ÀΠãÀ¸½Ê½Ã¿À. Recent years have seen the Qawali thrust into the international arena by such singers as Nusrat Fateh Ali Khan and the Sabri brothers. Their fusion of traditional Indo-Pakistani influences with Western music has created quite a stir in the music world. ÃÖ±Ù ¸î ³â°£ ±¹Á¦ ¹«´ë¿¡ ¾Ë¸® Ä Nusrat Fateh°ú »çºê ÇüÁ¦ °°Àº °¡¼ö·Î Qawali Ãß·Â º¸¾Æ¿Ô´Ù. ÀüÅëÀûÀÎ Àεµ¿Í ÆÄŰ½ºÅºÀÇ ¿µÇâÀ» ¹ÌÄ¡´Â ±×µéÀÇ À¶ÇÕ - ¼¾ç À½¾ÇÀº À½¾ÇÀ» ¼¼°è¿¡ ÆÄ¹®À» ÀÏÀ¸Ä×´Ù ²ÏÀÖ´Ù. In Pakistan alone their are over 2000 Qawali groups. ÆÄŰ½ºÅº È¥ÀÚ ÀÖÀ½ Qawali ´ÜüµéÀº 2000 ³¡³µ´Ù.