The theory behind multitrack bounce(mixdown) to stereo.背后的理论多轨反弹（混音）的立体声系统。
A mixdown to stereo is simply the summation of multiple tracks into two mono output tracks.  One mono output track for the left ear one mono output track for the right ear.阿以立体声混音只不过是总结多个轨道分为两个单声道输出轨道。一个单声道输出跟踪的左耳一个单一输出轨道右耳。 Combined this is stereo.  In essence you're creating a two channel sound stage.  Because there are two channels, referred to as stereo, you have the opportunity to add a third dimension.  Listeners have the ability to localise sound.  To mimic the third dimension control such as Pan can be used to achieve this. By offsetting the playback slight ambience is given.这是联合立体声。本质您建立两个声道的阶段。由于有两个通道，被称为立体声，你有机会，而第三个层面。听众有能力本地化声音。模仿第三层面控制，如潘可用于实现这一目标。 通过抵消了轻微的氛围播放给出。
Extra effect that can be achieved by the manipulation of Pan. 额外的效果，可以实现操纵潘。
Distance, direction, source movements and speed can all be achieved by this manipulation at this stage of mixed down.距离，方向，开源运动和速度都可以达到这个操纵在这一阶段的混合下来。
Pan is not the only method of effecting the ambience of sound.  Volume can also help to affect the perception.  Fader controls, control the volume.  Volume gives the opportunity to affect distance perceived.潘不是唯一的方法，影响气氛良好。音量还可以帮助受影响的看法。推子控制，控制音量。卷提供了机会影响到距离知觉。

When using mastering media, if the genre permits levels should be set to the highest possible level without the processors having to make audio clipping.当使用掌握媒体，如果允许各级类型应设置为最高级别的处理器，不得不作出的音频剪辑。

The mastering machines can be simulated in Cubase.  The mastering process which incorporates compression as well as general mixes.掌握机器可以模拟在Cubase 。进程的掌握其中包括压缩以及一般的混音。

1. Set pitch levels on devices.设置摊位水平的设备上。
2. Mix levels. 混合水平。
3. Set Insert effects.集插入的效果。 EQ 情商
4. Set Mix Levels设为混音水平
5. Set Automation to adjust volumes,pan.集自动化调整卷，泛。
6. Bounce down (Normally 44,100 32bit float)跳出下跌（通常32位浮点44100 ）
7. Wavlab or equivalent. Wavlab或同等学历。
8. Apply compression,normalisation (Loudness maximizing)适用于压缩，正常化（响度最大化）
9. save file.保存文件。
10. convert file to 44100 16bit转换档案44100 16位
11. burn to Cd if Test and repeat steps if not up to standard烧伤镉，如果试验和重复步骤如果没有达到标准

When considering the quality of a sound the intended use should be the primary concern.  Because the sounds in hip hop are often going to be samples EQ is important to control the bass levels of a song.  A syncopated rhythm track is normally the final destination.  EQ is used to ensure audible distinction from other sounds that might appear on the track.  The process involves listening to recorded sounds of a selection of high hats and bass drums to adjust EQ to achieve the distinction required.当考虑质量的一个健全的用途应是首要关心的问题。 由于声音在嘻哈往往将样品情商重要的是要控制低音水平的一首歌。阿syncopated节奏轨道通常是最终目的地。均衡器是用来确保声响区别其他声音可能出现在赛道上。这个过程涉及聆听记录的声音可供选择的帽子和高低音鼓调整均衡器，以实现所需的区别。

Equalisers affect the frequency response of an audio system.  Three sections are bass, middle and treble.均衡影响频率响应的音频系统。三个部分是低音，中，高音。 All three sections can be further divided.  But when considering the basics bass covers the low-level bands middle the intermediate bands and treble the upper bands.  EQ in this way does allow for the distorted effect of multiple tracks on an audio to be cleaned.  This can enable the appearance of distinct layers in a song.所有三节可进一步划分。但是，当考虑的基本低音涵盖了低级别带中间的中间带和高音上带。情商这种方式不容许扭曲作用的多个轨道上的音频，以清理。这可以使不同的外观层一首歌。

Sound can be improved by adjusting the cut-off points of the sound, to achieve a better loop.  Both ends of a sound waveare processed to eliminate pop (Top and Tailing).  The sample that are used should be or have been normalised and pitch bended to improve the tuning with the rest of the track.声音可以提高通过调整截断点的声音，以取得更好的循环。两端健全waveare处理，以消除弹出式（ Top和尾矿库） 。样品，用于应该或已经正常化和音高弯曲，以改善调整，其余的轨道。